Let's talk about color calibration 1


This is meant to be a simple tutorial, for fast but usefull results. If you need more acurate results you need specialized hardware and software.

(The blue links are just to mouse over them.)

Some initial notes

Everithing can be uncalibrated, even our own eyes. I'm sure you have been in a movie theater... after 2 hours of being in a dark room our eyes become used to that environment, and when we go out to the mall, we just see things too bright. They were "calibrated" to the darkness.

We can do a little experiment right now.

First of all, cover one eye with one hand, don't squash it, and click on me to open a new window with the next step.


Environment

In ideal conditions we should be able to see our prints just as we prepare them on the monitor... but if we turn lights off it becomes evident that the viewing conditions are critical to this. What happens for example if we use a tungsten lamp?. It is obvious that our colors won't match, just because of this environmental variable.

So the recommendation is that we have an uniform illumination with white balanced lamps. Not too bright, not too dim. Avoid direct sun light.


Monitor's calibration

After controlling the environment it is time to configure our monitor. First we have to adjust controls directly on the monitor. (You need to have your monitor turned on for some minutes before doing this)

Monitor's Contrast

We will start with contrast. This configures the bightest point. If contrast is too low we won't have white but gray areas.

It's recomended that you maximize contrast, maybe at 90%-95%. If you have to calibrate 2 diferent monitors maximize the less bright and adjust the second one. But if you feel it too bright you can dim it a little.

Monitor's Color Temperature

The second part is the color temperature. The "normal" color temperature is 6500K*. If you see a simple white background with a yellow-orange tint the temperature is too low, maybe it is at 5000K. If it has a blue tint the temperature is too high, maybe at 9300K.

*6500K can have a litle warm tint.

On some monitors their RGB values can be adjusted independently to achieve a neutral white, if the standard presets are not good enough, you can try to adjust them, but don't move these unless you know what you are doing.

White Point Test Page

Lets use some test images

Monitor Brightness

Previously we controlled the brighter values, the white point. With the Brightness button on the monitor we will control the darker points, but we need some images.

In this test image you need to adjust your monitor's brightness so the numbers become very very dark, almost not viewable as follows:

Dark Point Test Page

Gamma

Gamma controls the middle tones. We have checked our brightest point in previous steps, but if we don't have this Gamma well balanced we will see our images too dark or too light.



Gamma calibration software

Now we need to adjust our monitor profile, for this we need some software to adjust the middle tones.

In some cases the wizards can ask you to configure the brighness and constrast on your monitor. Don't do it, you have already done that.


We have 3 options.

1) Maybe your computer comes with a video configuration panel, from your manufacturer's video card.



2) If you have some Adobe software, maybe you have already installed a little program called Adobe Gamma. You can find it in your computer's Control Pannel. This one has some tests that we have already done.



3) Or you can download a small aplication called Quick Gamma. For Windows only.



Here is another interesting option Monitor Calibration Wizard. I'm currently testing this one. It has some cool features. It can construct a more elaborate profile that just the gamma curve, but the results are somehow diferent not consistent with the tests patterns in this page. (Maybe I'm doing something wrong... testing). For Windows only.



Gamma Test Patterns

I have made some test patterns, the idea is to adjust the values on our calibration software so we can match the background of column 2 with column 1. The numbers on column 1 also must "disolve" with the background.

If you need it, there is a separate R-G-B version on the bottom of the page, so that they can be adjusted individually. Use these in case the grey image is not neutral.

Although Adobe Gamma has a test pattern, this one is easier to implement. Open the aplication and have the page on the background.

Quick Gamma has a nice pattern to test, but you can confirm the result with this one.

Gamma Test Patterns

Printing Calibration

Hum... this is another story...